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Roger Brown recruits CEO types for large corporations, He's considered to be the best headhunter in Norway. Just one little problem, he's living above his means, supporting his beautiful wife's art gallery, and he loves to steal art. At the gallery's opening, he meets Clas Greve, the perfect candidate for a CEO position he's trying to fill. As Roger works with Greve, he discovers the man has a long-missing Ruebens. Roger sees the painting as his way to financial independence and starts planning his biggest theft yet. But things don't go the way he plans and it just goes from bad to worse in this darkly funny book.
This is a huge departure for Nesbø. I had to keep reminding myself that he wrote this in the first person present tense so it reads more like a journal and not like a Harry Hole book at all. It is a starkly different approach but it didn’t stop me from loving it. I heard an interview with him where he said wrting this book was like writing a song, it wrote itself quickly. The Harry Hole books take much longer for him to construct.
But speaking of Harry Hole, Jo established the Harry Hole Foundation in 2008 to help fight illiteracy in third world countries and all proceeds from Headhunters in all forms, including the Swedish movie, are going to the foundation. So not only is it a good book but a good cause.
For all of you Harry Hole fans, we have a few UK copies of The Redeemer (Vintage, $15.00, in the series, it goes between Devil’s Star and Snowman) on hand and please reserve your copy of The Leopard which we will have in December.--Adele
With Headhunters, Jo Nesbø has crafted a funny, dark, and twisted caper story worthy of Quentin Tarantino and the Coen brothers. FIRST TIME PUBLISHED IN THE U.S. NOW A MAJOR MOTION PICTURE FROM MAGNOLIA PICTURES.
Roger Brown is a corporate headhunter, and he’s a master of his profession. But one career simply can’t support his luxurious lifestyle and his wife’s fledgling art gallery. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he owns a priceless Peter Paul Rubens painting that’s been lost since World War II—and Roger Brown just so happens to dabble in art theft. But when he breaks into Greve’s apartment, he finds more than just the painting. And Clas Greve may turn out to be the worst thing that’s ever happened to Roger Brown.
About the Author
Jo Nesbø is a musician, songwriter, economist, and author. The first crime novel in his Inspector Harry Hole series was published in Norway in 1997, an instant hit, winning the Glass Key Award for best Nordic crime novel (an accolade shared with Stieg Larsson and Henning Mankell). He also established the Harry Hole Foundation, a charity to reduce illiteracy among children in the third world. He lives in Oslo.
Praise for Headhunters…
“This stand-alone gives us a brilliant array of variously flawed human beings involved in a tale of intricate plotting, excellent characterization, made-for-the-movies effects and images, and a multifaceted surprise ending. . . . A true thriller from start to finish.” —Library Journal
“A twisty, plot-driven Hitchcockian thriller. . . . Nesbo delivers one shock after the other, culminating with a doozy of a switcheroo at the finish. It’s gripping reading.” —Booklist
“Nesbø takes a break from his Harry Hole detective series . . . with this stellar stand-alone caper.. . . . The dizzying reversals of fortune and situations that would be over-the-top in lesser hands make for a delightful roller-coaster ride. Carl Hiaasen and Elmore Leonard fans will be delighted.”—Publishers Weekly (starred review)
“If you don’t know Nesbø, it’s time to get with it.” —USA Today
“Like [Stieg] Larsson, Nesbø explores the darkest criminal minds with grim delight and puts his killers where you least expect to find them. . . . [and] his novels are maddeningly addictive.” —Vanity Fair
“Chances are you’ll be hooked . . . as Nesbø lays down a trail rich in Nordic atmosphere and in character-driven development . . . Ultimately, though, what sets Nesbø apart is his ability to keep the pages turning with such intellectual dexterity.” —Newsday
“Nesbø has a horrormeister’s flair for transforming natural scenes into ominous situations.” —The New York Times Book Review
“Irresistibly addictive. . . . This is reading as you experienced it in childhood, without any gap between eye and mind, but with the added pleasures that adult plots and adult characters can bring. . . . Brilliantly conceived, carefully worked out, and complicatedly satisfying.” —Slate
“Nesbø’s books have a serious, socially significant heft, as well as a confident (even cocky) narrative stride that is unmatched.” —Richmond Times-Dispatch
“Nesbø’s pace is unerring, and the way he builds up suspense will incite Pavlovian page-turning.” —Time Out New York
“With Henning Mankell having written his last Wallander novel and Stieg Larsson no longer with us, I have had to make the decision on whom to confer the title of best current Nordic writer of crime fiction. . . . I hesitate no longer. [Nesbø] wins. . . . This is crime writing of the highest order.” —The Times (London)
“A mind-blowing story that captivates the reader from the very first page. … [Nesbø] has found a delightfully laconic, hard-boiled tone in Raymond Chandler and Dashiell Hammett’s tracks, which triumphs exactly where it should: when circumstances are the worst, the bullets zing by and the corpses pile up. . . . Entertaining, sharp and suspenseful.” —Dagens Nyheter (Sweden)
“This book is one you absolutely have to read. . . . The outrageous storytelling is so stimulating, it makes James Ellroy look like a Boy Scout and Bret Easton Ellis like a Sunday-school boy.” —Helsingin Sanomat (Finland)
“A highly entertaining, first-rate crime novel, where Nesbø uses his entire register of narrative techniques and tricks to tell a story that is wilder and more zany than anything he has ever written before.” —Dagbladet (Norway)
“Nesbø can out-write most of his Scandinavian colleagues. . . . Cleverly written and effectively composed, and you can easily devour it in one ravishing read.” —Nordjyske Stiftstidende (Denmark)
“Headhunters has everything that makes a good crime novel: Strange murders, inventive disappearing acts and above all brilliant fraud for all you’re worth.” —Bogrummet (Denmark)
“The reader is glued to the pages like gum to the street. . . . With Headhunters, Nesbø has accomplished [a] . . . brilliant and elegant thriller.” —Dagsavisen (Norway)