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"Mysteries" and more. Perhaps a better term than "mystery novel" to describe the category today, with its implication of a broad variety of approaches to the issue of crime and its implications, less dependence on the four essential elements. A notable example of the newer type of construction is the story told from the standpoint of the criminal – hit man (or woman), con artist, or whatever. Often in a crime novel, the "good guys" and the "bad guys" share equal time – you know whodunit – but you don't know how the story will be resolved.